"Intellectual Property Futures: Exploring the Global Landscape of IP Law and Policy" does more than anticipate technological change; it provides an opportunity to identify and critically examine the blind spots embedded within the contemporary IP legal landscape.
By bringing to the fore the roles of digital workers, Dagne hopes to unearth the collaborative creation that goes into the AI production chain and feeds into the AI output.
Can alterations in the sonic bed, piano figures, guitar and string lines in a musical composition save it from damages for copyright infringement of the original? The High Court of New Zealand rules “No” in its decision Eight Mile Style, LLC v. New Zealand National Party. The dispute arose after the New Zealand National Party […]
With ever-changing trends, the cost of keeping up with the latest fad can quickly add up for style-conscious consumers. As such, many well-known clothing retailers have adopted a business model called “fast-fashion”. Retailers –including Zara and H&M– offer the trendiest clothing garments and accessories at a low price in order to cater to the consumer […]
On February 8, Osgoode Hall Catalyst Fellow, Dr. Saptarishi Bandopadhyay, presented his ongoing project that involves the critical examination of the relationship between copyright laws and disaster photography. Bandopadhyay holds a Doctor of Juridical Science (SJD) and LLM from Harvard Law School and has studied disasters in the borderlands between Pakistan, India, China and the […]
Some people just can’t take a joke. Other people have taken jokes, and it has landed them in court. Two recent American copyright cases offer an opportunity to look at the difficulties of protecting comedy routines with copyright.
Beyoncé’s Lemonade left a sour taste in at least one person’s mouth. Matthew Fulks, a Louisville-based filmmaker and creative director at the WDRB Kentucky news station, is taking the singer to court for copyright infringement. The plaintiff claims that Lemonade, Beyoncé’s trailer for her latest album, copies “visual and sonic elements” from his short-film “Palinoia.”