{"id":4696,"date":"2020-09-25T14:38:44","date_gmt":"2020-09-25T18:38:44","guid":{"rendered":"https:\/\/robarts.info.yorku.ca\/?p=4696"},"modified":"2020-09-25T14:38:44","modified_gmt":"2020-09-25T18:38:44","slug":"nataliasantilli-odessaprize2020","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/research\/robarts\/2020\/09\/25\/nataliasantilli-odessaprize2020\/","title":{"rendered":"Natalia Santilli on being awarded the Odessa Prize for Best Undergraduate Essay"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4698\" src=\"https:\/\/www.yorku.ca\/research\/robarts\/wp-content\/uploads\/sites\/466\/2020\/09\/Natalia-Santilli.jpg\" alt=\"\" width=\"213\" height=\"213\" srcset=\"https:\/\/www.yorku.ca\/research\/robarts\/wp-content\/uploads\/sites\/466\/2020\/09\/Natalia-Santilli.jpg 213w, https:\/\/www.yorku.ca\/research\/robarts\/wp-content\/uploads\/sites\/466\/2020\/09\/Natalia-Santilli-150x150.jpg 150w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/>Natalia Santilli was awarded the Robarts Centre\u2019s 2019-2020 <a href=\"https:\/\/robarts.info.yorku.ca\/awards\/odessa-prize\/\">Odessa Prize for the best undergraduate paper<\/a> in a 4<sup>th<\/sup> year course that advances our knowledge of Canada for her paper, <em>\u201cThe Abject Horror of the Spanish Influenza in Canadian Theatre.\"<\/em> Natalia has completed her Specialized Honours BA in English and will be returning to finish her Certificate in Technical and Professional Communication this fall.<\/p>\n<p>Her paper, nominated by Professor Lee Frew for \u201cCanadian Literature and the Great War (GL\/EN 4642)\u201d at Glendon College, was the unanimous choice by the selection committee to win the Odessa Prize. In their decision, they write that she \u201cdemonstrates a sophisticated understanding of Julia Kristeva's concept of abjection, as well as insightful readings of the plays <em>Dancock's Dance<\/em> by Guy Vanderhaeghe (2005) and <em>Unity<\/em> (1918) by Kevin Kerr (2014) in light of Kristeva's thinking. \u2026 This analysis demonstrates an exceptional understanding of both the theory and the plays: frankly, the essay is outstanding, graduate student-level work.\u201d<\/p>\n<p>We asked her to reflect on the process of researching and writing this paper and what the award means to her:<\/p>\n<blockquote><p>When Professor Frew first told me that he\u2019d nominated my paper for the Odessa Prize, I was ecstatic just for that compliment alone. A few months passed and with COVID chaos swimming around my head, I very nearly forgot about the nomination (which was admittedly partially intentional, I\u2019d made up a few consolatory excuses for myself as to why it\u2019d be totally fine if I didn\u2019t win). The email from Gabrielle Slowey [Director of the Robarts Centre] congratulating me for having won came as a huge surprise, and I re-read it an embarrassing number of times for it to sink in that such kind words of praise were written in reference to my work. I was elated, to say the very least.<\/p>\n<p>I\u2019m incredibly grateful to Irvin Studin for establishing the Odessa Prize, and I have to say that it came at an especially difficult time COVID-wise, which made it all the more significant. It hit me that I couldn\u2019t imagine a better way to wrap up my degree, with my final English paper being awarded such a huge honour. It really did feel like the icing on the labour-intensive cake! I\u2019d also like to highlight that I really owe my interest in Canadian Studies to Lee Frew, because it\u2019s in taking his English courses every year as my absolute favourite professor that I was introduced to the field in the first place. The English department really won\u2019t be the same without Lee.<\/p><\/blockquote>\n<p>Natalia began work on the paper in March as the COVID-19 crisis was intensifying around the world. Today she is still reflecting on the way her work is helping her understand the situation we all find ourselves in today:<\/p>\n<blockquote><p>I continue to think about my paper\u2019s focus on the various ways in which people (or characters) cope with horrific circumstances, for better for worse. Lately I\u2019ve been specifically thinking of this in terms of \u201cCOVID hoaxers\u201d who, whether consciously or not, seem to use denial as what we might call a (terribly dangerous) coping mechanism. I can\u2019t help but look at this through a Kristevan lens as I do in my paper, because I\u2019d argue that this denial of horror is essentially a refusal to engage with the \u201cabject\u201d for its reminder of our mortality. The irony here is that Julia Kristeva\u2019s theory of abjection demonstrates that the abject to be a powerful and crucial form of protection. To reel myself back in here, my simple conclusion is an obvious one that we see playing out in real-time today: engagement with the abject\/horror of the pandemic means you may be terrified, but you\u2019re better protected; whereas its opposite leads to the under-protection of yourself and everyone around you. The takeaway is that fear may be unpleasant, but it can absolutely be harnessed for productive means. This is why even as things start to feel more \u201cnormal\u201d, Kristeva would wag an admonishing finger at anyone who didn\u2019t don a mask to brave the outdoors, and I\u2019d side with her.<\/p><\/blockquote>\n<p style=\"text-align: center\">*&nbsp;&nbsp;&nbsp;&nbsp; *&nbsp;&nbsp;&nbsp;&nbsp; *<\/p>\n<p>And finally, we asked Natalia about her future plans:<\/p>\n<blockquote><p>I\u2019ll be returning to Glendon in September to finish up my certificate in Communications. I\u2019m also the project manager at Lunik, our student-run Cooperative on campus. As for what I\u2019d like to do in the future academically-speaking, that really is the million-dollar question! My exhausted student answer would be \u201cnothing!!\u201d, but I entered into my BA with the hopes of one day becoming an English professor and I still entertain that idea. For now, though, my plan is to teach English in Korea for a couple of years after I graduate (I know, classic English major move, but I\u2019m so excited), and then to re-evaluate if I\u2019d like to get back in the saddle and do a Masters (very likely in Canadian Studies) once I return home to Canada.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Natalia Santilli was awarded the Robarts Centre\u2019s 2019-2020 Odessa Prize for the best undergraduate paper in a 4th year course that advances our knowledge of Canada for her paper, \u201cThe Abject Horror of the Spanish Influenza in Canadian Theatre.\" Natalia has completed her Specialized Honours BA in English and will be returning to finish her [&hellip;]<\/p>\n","protected":false},"author":600,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-4696","post","type-post","status-publish","format-standard","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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