{"id":274562,"date":"2020-04-02T18:55:15","date_gmt":"2020-04-02T22:55:15","guid":{"rendered":"https:\/\/yfiledev.uit.yorku.ca\/?p=274562"},"modified":"2025-04-03T11:17:45","modified_gmt":"2025-04-03T15:17:45","slug":"sshrc-project-archive-counter-archive-both-visionary-and-disruptive","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2020\/04\/02\/sshrc-project-archive-counter-archive-both-visionary-and-disruptive\/","title":{"rendered":"SSHRC project 'Archive\/Counter-Archive' both visionary and disruptive"},"content":{"rendered":"
\"Janine

Janine Marchessault<\/p><\/div>\n

In 2017, York Research Chair in Media Art and Social Engagement Janine Marchessault received a Partnership grant from the Social Sciences and Humanities Research Council of Canada (SSHRC) to the tune of $2.499 million for her multi-faceted project \u201cArchive\/Counter-Archive: Activating Canada\u2019s Moving Image Heritage.\u201d It had 43 co-applicants and collaborators from across Canada and globally, nine from 快播视频 across a variety of Faculties. It also involved 24 partner organizations from across Canada.<\/p>\n

The work emanating from this project began in 2018 and will span all the way to 2024. Three projects, recently debuted, illustrate the kind of innovative work that\u2019s being created by this enterprise every week.<\/p>\n

\u201cArchive\/Counter-Archive\u201d is a unique venture. It\u2019s a research collaboration bringing together community and artist-run archives in Canada to emphasize the nation\u2019s most vulnerable moving image heritage. It is devoted to diverse histories from Indigenous, LGBT2Q+, immigrant and women\u2019s communities. It is dedicated to activating and remediating audiovisual archives created by and about these groups and communities.<\/p>\n

\u201cPolitical, resistant and community-based, counter-archives disrupt conventional narratives and enrich our histories,\u201d explains Marchessault, a Trudeau Fellow and a Fellow of the Royal Society of Canada. Her work explores the afterlife of moving image archives as art forms and new forms of historical knowledge.<\/p>\n

Three 2020 projects exemplary of the value of this massive project<\/h3>\n

The exhibition launch for \u201cInuuqatikka: My Dear Relations\u201d took place on Jan. 16 in the Davies Foundation Gallery at the Agnes Etherington Art Gallery in Kingston, Ontario. Curated by Nakasuk Alariaq, Linda Grussani and Tamara de Szegheo Lang, this exhibition features video works, ephemera and production material created by Arnait Video Productions, the world\u2019s leading women-centered Inuit filmmaking collective.<\/p>\n

\"Part

Part of the \u201cInuuqatikka: My Dear Relations\u201d exhibition. Still shots from \u201cBefore Tomorrow.\u201d Credit: Oana Spinu. Copyright Arnait Video Productions, 2009. Reproduced with permission<\/p><\/div>\n

Arnait addresses traditional knowledge and contemporary life, and represents the voices of Inuit women across generations. This exhibition runs until April 12 and is part of a March 2020 artist residency at Queen\u2019s Vulnerable Media Lab, when four members of Arnait will be present for workshops, intergenerational dialogues and screenings.<\/p>\n

Drawing from its own archival materials, Arnait presents living archives \u2013 that is, archives activated through human presence \u2013 that embed historical images and video interviews with Inuit women recounting their experiences in the present.<\/p>\n

\"Part

Part of the \u201cInuuqatikka: My Dear Relations\u201d exhibition. Credit: Paul Litherland. Copyright Arnait Video Productions, 2009. Reproduced with permission<\/p><\/div>\n

Also this past February, as part of the Archive\/Counter-Archive Working Papers Series, which unites PhD students from different universities to hear about exciting archival research, Jenn E. Norton spoke on Imagining the Past at the Free Times Caf\u00e9 in Toronto. She is a 快播视频 PhD candidate in visual arts.<\/p>\n

Norton\u2019s augmented reality (AR), video and installation work, which combines antiquated cinematic and digital technologies, investigates time-based media from a position of hindsight, what she calls \u201ca rear-view mirror approach.\u201d Here, she borrows Marshall McLuhan\u2019s idea that a person can\u2019t understand the impact of new technologies directly, but only indirectly, like looking at it with a mirror.<\/p>\n

In her work, Norton creates immersive, experiential installations that reconsider everyday objects, landscapes and activities as fantastical, dreamlike occurrences. Using AR, interactive video, animation, sound and kinetic sculpture, Norton\u2019s installations investigate the shifting boundaries of virtual and physical realms.<\/p>\n

Norton\u2019s talk was about four recent exhibitions that utilized this rear-view mirror approach.<\/p>\n

\"Still

Still from Slipstream (2019) by Norton; Jenn E. Norton. Images reproduced with permission<\/p><\/div>\n

\u201cArchive\/Counter-Archive\u201d also offers compelling case studies. Vtape\u2019s Case 快播视频, for example, puts a spotlight on AIDS activist media in Toronto from the late 1980s and 1990s. Vtape is an artist-run, not-for-profit media arts distribution centre that maintains contemporary and historical video art and media works.<\/p>\n

Part of the case study\u2019s research team includes Ryan Conrad, a recent SSHRC-postdoctoral fellow in Cinema & Media Studies at York, who is also working on a book titled Radical VIHsion: Canadian AIDS Film & Video<\/em>.<\/p>\n

This case study has two main components: The first examines the 30-minute tapes that were part of\u00a0Toronto Living With AIDS<\/em>, a 1990-91 public access cable television program coordinated by the late Michael Balser and York Professor John Greyson. The series was made by pairing artists with community organizations to create much-needed, culturally appropriate and engaging educational tapes about living with and preventing the spread of HIV.<\/p>\n

\"Vtape\u2019s

Vtape\u2019s Case 快播视频: TLWA series episode, \u201cThe Colour of Immunity,\u201d directed by Glace Lawrence and the Black Coalition for AIDS Prevention (Black CAP).<\/p><\/div>\n

The second component features 10 public service announcements (PSAs) created by Canadian artists at the Banff Centre through a residency hosted by Balser in 1993 under the name Second Decade<\/em>. These PSAs, much like the TLWA<\/em> series, were designed with specific cultural communities in mind and intended for public consumption through cable television and other distribution methods.<\/p>\n

\"Vtape

Vtape's case study: Public access cable television series promotional poster, \u201cToronto Living with AIDS\u201d (1990-91), courtesy of David Plant\/Trinity Square Video. Reproduced with permission.<\/p><\/div>\n

\u201cBy digitizing these videos, we are investigating\u00a0both the content and the context of these radical artworks. These restored titles can re-enter into the AIDS activist discourse and will be used by contemporary AIDS activists in a variety of educational contexts,\u201d they explain.<\/p>\n

To learn more about \u201cArchive\/Counter-Archive,\u201d visit the website<\/a>. To read more about Marchessault, visit her Faculty profile page<\/a>.<\/p>\n

To learn more about Research & Innovation at York, follow us at @YUResearch<\/a>; watch our new animated video<\/a>, which profiles current research strengths and areas of opportunity, such as Artificial Intelligence and Indigenous futurities; and see the snapshot infographic<\/a>, a glimpse of the year\u2019s successes.<\/p>\n

By Megan Mueller, senior manager, Research Communications, Office of the Vice-President Research & Innovation, 快播视频, muellerm@yorku.ca<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Three recent projects, part of the ground-breaking venture 'Archive\/Counter-Archive,' illustrate the progress to date of this high-profile SSHRC-funded venture that looks at moving images and is designed to disrupt conventional narratives. In doing so, they reinforce the value of this work.<\/p>\n","protected":false},"author":5,"featured_media":274576,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[11],"tags":[],"yfileauthor":[204],"qualifier":[],"yfile-author":[],"tags-to-show":[154],"workflow":[],"class_list":["post-274562","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-news","yfileauthor-yfilestaff","tags-to-show-research"],"acf":{"internal_publish_date":null,"original_image":null},"yoast_head":"\nSSHRC project 'Archive\/Counter-Archive' both visionary and disruptive - YFile<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.yorku.ca\/yfile\/2020\/04\/02\/sshrc-project-archive-counter-archive-both-visionary-and-disruptive\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SSHRC project 'Archive\/Counter-Archive' both visionary and disruptive - YFile\" \/>\n<meta property=\"og:description\" content=\"Three recent projects, part of the ground-breaking venture 'Archive\/Counter-Archive,' illustrate the progress to date of this high-profile SSHRC-funded venture that looks at moving images and is designed to disrupt conventional narratives. 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