{"id":348418,"date":"2024-01-16T15:42:01","date_gmt":"2024-01-16T20:42:01","guid":{"rendered":"https:\/\/yfile.news.yorku.ca\/?p=348418"},"modified":"2025-04-02T12:41:10","modified_gmt":"2025-04-02T16:41:10","slug":"york-podcast-shakes-up-shakespeare","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2024\/01\/16\/york-podcast-shakes-up-shakespeare\/","title":{"rendered":"Podcast series shakes up Shakespeare"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Four 快播视频 community members have launched \"<a href=\"https:\/\/castingcanadiantheatre.ca\/shaking-up-shakespeare\">Shaking up Shakespeare<\/a>,\" a 10-episode podcast series that looks to re-examine playwright William Shakespeare \u2013 and productions of his work \u2013 through a lens that considers issues like gender discrimination, racism, ableism and more.<\/h3>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The origins of the podcast begin, much like Shakespeare\u2019s <em>Hamlet<\/em>, with a ghost.<\/p>\n\n\n\n<p>In 2021, <strong>Marlis Schweitzer<\/strong>, professor of theatre and performance studies \u2013 along with her York colleague Assistant Professor <strong>Jamie Robinson<\/strong> and PhD student <strong>Maril\u00f2 Nu\u00f1ez<\/strong> \u2013 held an online event that gathered Canadian professional actors, directors and playwrights to discuss how casting practices in Canada affected their work.<\/p>\n\n\n\n<p>The event was part of a five-year project called&nbsp;\u201c<a href=\"https:\/\/castingcanadiantheatre.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\">(Re)setting the Stage: The Past, Present, and Future of Casting Practices in Canada<\/a>,\u201d supported by funding from Schweitzer\u2019s position as a York Research Chair (Tier II) in Theatre &amp; Performance History, and aiming to situate&nbsp;debates about theatrical representation and the politics of casting in Canada within a broader historical context.<\/p>\n\n\n\n<p>\u201cAlthough the event\u2019s primary focus was on contemporary theatre, one of the names that kept popping up was&nbsp;\u2018Shakespeare,\u2019\u201d says Schweitzer. \u201cHe was like a ghost haunting the event. Some people spoke with reverence about him \u2013 others with revulsion.\u201d<\/p>\n\n\n\n<p>The conflicting feelings around Shakespeare led to the project team\u2019s decision to host a followup symposium \u2013 supported by a Social Sciences &amp; Humanities Research Council Connections Grant \u2013 to engage more directly with Shakespeare and examine the legacy of his work, specifically in the context of Canadian theatre culture and society more broadly.<\/p>\n\n\n\n<p>The symposium \u2013 titled \u201c<a href=\"https:\/\/castingcanadiantheatre.ca\/casting-shakespeare\" target=\"_blank\" rel=\"noreferrer noopener\">(Re)casting Shakespeare in Canada<\/a>\u201d \u2013 was held in spring 2023 and became the foundation for the recently launched \"Shaking up Shakespeare\" podcast, which sees Schweitzer and two recently graduated York research assistants, <strong>Hope Van Der Merwe<\/strong> and <strong>Liam Lockhart-Rush<\/strong>, serve as hosts and interviewers, with dramaturgical support from recent master of fine arts graduate and current theatre instructor <strong>Jeff Ho<\/strong>.<\/p>\n\n\n\n<p>The podcast features interviews with over 30 individuals, across a range of professions, who all have a connection to Shakespeare or have been impacted by his work in some way. And rather than celebrating Shakespeare, no questions asked, the series takes a critical perspective, acknowledging a host of issues, including gender discrimination, racism and ableism, both in Shakespeare\u2019s plays and in productions of his plays. It does so by incorporating recent conversations throughout the arts<em>&nbsp;<\/em>about diversity and casting practices, colonial structures and accessibility \u2013 all in the hopes of cultivating in listeners a different perspective of the famous playwright.<\/p>\n\n\n\n<p>\u201cOur big hope is to engage listeners in thinking anew about the role Shakespeare plays in their own lives \u2013 whether that\u2019s casually, when they go to the theatre or watch a movie or tv show with Shakespearean references, or when they drive through a town like Stratford or Shakespeare, Ontario,\u201d says Schweitzer. \u201cWe want listeners to consider some of the deeper questions we ask about how the historical privileging of Shakespeare in Canada has helped to exclude the voices of racialized and other minoritized artists.\u201d<\/p>\n\n\n\n<p>The podcast series will also shine a light on the artists who are grappling with Shakespeare, reworking and adapting his plays to meet the needs of contemporary audiences, including those whose stories have existed in the margins.<strong> <\/strong>For example, one episode will feature interviews with the cast of theatre company&nbsp;<a href=\"https:\/\/whynot.theatre\/work\/prince-hamlet\/\" target=\"_blank\" rel=\"noreferrer noopener\">Why Not Theatre<\/a>\u2019s&nbsp;remounting of their production <em>Prince Hamlet,&nbsp;<\/em>an intersectional adaptation in which the role of Horatio, Hamlet\u2019s friend, is played by Dawn Jani Birley, a Deaf actor and American Sign Language (ASL) translator. (This also led to a collaboration that resulted in translating the entire podcast series into ASL and recorded videos of each episode with a team of Deaf interpreters).<\/p>\n\n\n\n<p>In spotlighting creative efforts like these, the podcast series hopes to not just facilitate listeners rethinking Shakespeare, but imagining what creative \u2013 and more equitable \u2013 productions of the playwright\u2019s work may be yet to come. \u201cWe hope listeners will be excited to learn about how such artists have adapted Shakespeare to tell their own stories and are offering new critical perspectives on what it means to perform and produce Shakespeare in 2024,\u201d says Schweitzer.<\/p>\n\n\n\n<p>\"Shaking up Shakespeare\" is currently available on Spotify and Apple Podcasts. ASL videos of the series are available on YouTube and the <a href=\"https:\/\/castingcanadiantheatre.ca\/shaking-up-shakespeare\" target=\"_blank\" rel=\"noreferrer noopener\">project website<\/a>, which contains additional information about the series.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A 10-episode podcast series launched by four 快播视频 community members looks to reconsider the works, and productions, of renowned playwright William 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